Brett Kroeger is a dynamic, versatile performer who is comfortable in all musical genres, everything from opera and operetta to cabaret and musical theatre to art song recitals or singing the National Anthem in a sports arena. In the past four years, she has been a featured lead with Troupers Light Opera of Connecticut, performing in their fall and spring shows. She also collaborated with Broadway pianist and musical director Christopher Denny to produce and perform “Over There: Greatest Hits of the Great War” in commemoration of the 100th Anniversary of World War I. Critics praised the cabaret as a “totally pleasing and enlightening hour of song, insights, history and memories,” adding that “Kroeger’s singing, expression, and overall joie de vivre made for an entertaining and at times very touching experience.” This show has been performed throughout the tri-state area.
Opera and operetta performances in Connecticut and New York include the role of Josephine in the HMS Pinafore, as Mercury in Thespis, Constance in The Sorcerer, Angela in Patience, Edith in Pirates of Penzance, Gretchen in The Red Mill, all for Troupers Light Opera. She also has appeared as Flora and Annina in La Traviata (LDTS Temple, New York, Bill Schuman Presents); Thisbe in Cenerentola and Micaela in Carmen (Consulate General of Argentina) and, for the Manhattan Opera Repertory Company, as Tatiana in Eugene Onegin, Pamina in Die Zauberflöte, Sandman/Dewfairy in Hansel and Gretel, and Marguerite in Faust. As a resident artist with DiCapo Opera, she appeared as Julie in Dangerous Liaisons, Sylviane in The Merry Widow and the premier novice in Suor Angelica.
Other highlights: a featured spot at the release show for the new CD of the Bret Williams quartet singing Villa Lobos’s “Bachianas Brasileiras No.5” and a performance of the National Anthem for a televised game of the Connecticut Whale of the National Women’s Hockey League. She was the featured vocalist at La Fenice in Venice for Hebrew University’s European conference on “The Song of Songs.”
Other credits: A solo performances in the Absolute Ensemble’s U.S. premier of Daniel Schnyder’s Casanova and in Robert Cuckson’s “Cantata on Acadian Texts” with the Columbia University Bach Society. She has given solo recitals during summer festivals of Forte dei Marmi, Pietrasanta and Camogli, Italy, at the Istituto di Cultura in New York City and has appeared in concerts with the Richard Tucker Foundation at Christ’s and St. Stephen’s Episcopal Church and at recitals for New York University and for Concordia College.
She has a master’s degree in vocal performance from the Mannes College of Music, and received her bachelor’s in vocal performance from Lawrence University.